Digitale Studio-Console
Die DS-00 steht fest im Studio in Dewangen und ist das Digitale Herzstück.
Alle In-und Outputs sind über MADI angebunden - ebenso der PC, der quasi als "Bandmaschine" dient.
Insgesamt stehen 56 Kanäle zu Verfügung
Technische Daten
| Quantization range: | 24-bits | 24-bits |
| Frequency response 20Hz-20kHz: | +/-0.2dB | +/-0.2dB |
| Level linearity deviation 0dB to -90dB: | 0.3dB | <0.3dB |
| Phase difference between channels 20Hz to 20 kHz: | <2 degrees | <2 degrees |
| Channel separation 100Hz to 10kHz: | >90dB | >90dB |
| Total harmonic distortion 100Hz to 10kHz: | <0.004% | <0.004% |
| Maximum input level (at unity gain) mic and line: | +22dBU | |
| Microphone equivalent input noise (150 O, 60dB gain): |
-127.5dB | |
| Maximum analogue gain (mic and line): | +60dB | |
| Mic input impedance: | >1kO | |
| All other analogue inputs impedance's: | >5kO | |
| Idle channel noise ratio: | <103dB | |
| Maximum output level: | +22dBU | |
| Output impedance: | 50O |
| Digital I/O | |
| AES/EBU | 4bit (w/sample rate converters): |
| MADI: | 56 channels of 24 bit audio |
| OPTICAL: | 512 channel redundant optical loop |
| Clock Sources | |
| Internal: | 32, 44.1 and 48kHz using a high stabilitynumerically controlled oscillator |
| External: | From any digital inputBlack burst 75 ohm video reference and Wordclock I/O |
| Sample range: | 30kHz to 50kHz |
| Power Requirements | |
| Console: | 87 to 260v AC 50/60Hz autosensing. 300 watts max |
| Audio rack: | 87 to 260v AC 50/60Hz autosensing. 150 watts max |
| Delay | |
| Input Channel: | Up to 240 mS in 0.65 mS increments. |
| IPC's: | Up to 512 ms in 2 sample increments (Note: All measurements are made with a 22Hz to 22kHz filter andRMS detector.) |
| Channel Equaliser (IPC Eq has two extra bands with individual band switching) | ||
| High Pass Filter | Low Pass Filter | |
| Slope: | -12dB/octave | -12dB/octave |
| Frequency range | (-3dB): 20Hz to 20kHz | (-3dB): 200Hz to 20kHz |
| Gain range: | Frequency range | Q range: | Slope | |
| High Band | ||||
| Mode 1: Bell | 18dB | 20Hz to 20kHz | 0.1 To 20 | |
| Mode 2: High Shelving | 18dB | 20Hz to 20kHz | 0.1 to 0.85 | |
| Mode 3: Low Pass | 20Hz to 20kHz | -12dB/octave | ||
| Upper Mid Band | 18dB | 20Hz to 20kHz | 0.1 To 20 | |
| Lower Mid band | 18dB | 20Hz to 20kHz | 0.1 To 20 | |
| Low Band | ||||
| Mode 1: Bell | 18dB | 20Hz to 20kHz | 0.1 To 20 | |
| Mode 2: Low Shelving | 18dB | 20Hz to 20kHz | 0.1 to 0.85 | |
| Mode 3: High Pass | 20Hz to 20kHz | -12dB/octave |
| Channel Dynamics | Compressor | Gate |
| Threshold range: | -50dB to 0dB | 50dB to 0dB |
| Attack range: | 500uS to 100mS | 50uS to 100mS |
| Decay range: | 10mS to 10S | 5mS to 5S |
| Ratio range: | 1:1 to 50:1 | |
| Gain make up range: | 0 to 40dB | |
| Hold range: | 2mS to 2S | |
| Gate depth range: | 0 to -90dB |
| Output buss limiter | |
| Attack time: | 1 audio sample |
| Threshold range: | 0 to -50dB |
| Release range: | 5mS to 5s |